This week is NIACE's Adult Learners' Week - obviously highly relevant to my MA research and my interests. The Associated Board of the Royal School of Music (ABRSM) estimates that over 17m UK adults play an instrument, with 2.5m of those attending music lessons. A recent survey of adults discovered that playing a musical instrument is second (only to cooking) in the list of skills people would like to learn. I've been asked what the point of my research is (has any researcher NOT been asked that?!) and that is part of the point - with so many people playing, learning or wanting to learn an instrument, how do we best cater for their needs? Finding out what they say and think about learning music is, I think, vital to shaping music education that works for adults.
One common theme in existing studies on adult music learners is the influence of teachers - how a 'bad' experience with a teacher can put off someone from learning an instrument. Often this happens at a young age, and part of the job of teachers working with adult 'returners' can be to help them renegotiate their relationship with music - change the way they think of themselves in relation to playing an instrument and indeed 'being a musician'. On the other hand, existing research also shows the wonderfully positive influence of good teachers, at all ages, in fostering lifelong love of music and confidence in taking part in musical activities.
A major part of my dissertation looks at how adult learners describe their teachers and their relationships with them. My teacher survey revealed that teachers recognise there is a difference between teaching adults and children, and talk about a different set of 'skills' that are needed - an ability to adapt to different learning styles and challenges, different ways of communicating, and mentions of confidence-building, empathy and understanding. The results of my corpus analysis, searching for how learners talk/ write about teachers, suggest that learners don't describe these things as 'skills', but are tend to describe teachers' characters and how they make them feel. As a brief snapshot, some of the collocates (words appearing in juxtaposition with teacher(s)) I've been writing about this morning include horrified, dreaded, nags and traumatised on the negative side, and thrilled, magnificent, inspires and encouragement on the positive. Some fascinating metaphorical language appears including rotting, shreds, whip, ogre, flogging and murdering (I'm pleased to say that doesn't all refer to one particular teacher or lesson)! Overall, it's suggesting that music teaching very much needs to pay attention to that customer service adage about "how you make people feel".
This coming weekend, I'm running a workshop for my students along with Sheffield Flute Choir (a group I run for adult players), followed by an informal concert in front of their family and friends. Participants range in age from eight up to approaching retirement. For some of them, including several adults who took up the flute just this year, it will be their first time playing in front of anyone other than me and whoever shares their home. I'm hoping it's an experience that leaves them feeling inspired and encouraged.
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