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Is Music a Sport?

1/9/2015

3 Comments

 
In my last post I hinted at some of the similarities between learning an instrument and training for a sport, and since I've just come back from my induction at a new gym, it seems like a good time to explore that a bit more. In some ways music and sport seem worlds apart - maybe music is seen as more of an 'intellectual' activity against sport's physicality. I know when I was at school I was 'rubbish' at P.E. and was definitely put in the box of being good with my brain rather than my muscles. The funny thing was, outside of school I took dance classes for years, and whilst I wasn't brilliant at that, I got to a decent standard - I reached the point of dancing on pointe in ballet and won a few medals in Highland Dancing competitions. So why was I no good at basketball and hockey but alright at dancing? Partly I think that comes down to one of the similarities between music and sport - that mental attitude is a big part of doing well. I wanted to dance, so I worked at it. I've no doubt that the fact it was movement to music helped. I had teachers who were encouraging, who paid a lot of attention to each student's physical make-up and explained to them what particular aspects they would need to do more work on to succeed. There were exercises to work on at home between classes (although I fully admit to getting lazy with them in my teenage years!) which meant that there was more progress than if you just turned up once a week. In other words, very much like practising an instrument! In my MA research I discovered discourses of 'learning music as training' in terms of taking small steps, having goals and aims, tapering your practice before an exam. I also came across terms which flagged up discussions around mental preparation techniques often used in sports training, such as visualisation - where an athlete might visualise how they'll run that race, a musician could use the same technique for a performance. Learners described exams as hurdles and like a treadmill, suggesting a need to mentally push past barriers.

However, the similarities between sport and music aren't just in psychological approaches. Making music is a physical activity. Playing the flute doesn't (normally) involve any running or big jumps, but it does require the movement of many many muscles - in your face, your tongue, your fingers, for breathing and blowing. You need to hold something up with your arms for prolonged periods of time. It ideally needs good posture and a strong 'core' (I've found that Pilates is wonderful for that). But from thinking of myself as not a 'sporty' person, it took me a long time to realise just how physical playing an instrument is. In the text I analysed for my dissertation I found learners talking about building up strength and about the best thing to eat before performances or exams, and I was pleased to see this awareness of the physicality of it. It's certainly something I try to explain in my lessons - that learning to play is partly about building up strength and flexibility in new muscles. Students (especially adults) who've done a sport often find these comparisons helpful - if someone has trained for a marathon, they understand the idea that you need to build up from short runs. It takes time, but if something feels difficult now, it can be worked on, steadily and gradually and it will get easier. I suppose this may be one of the reasons why adult learners feel they can't make as much progress as younger students, that age is physically 'against them' - something I want to look into a bit more, to find out whether research shows that really is the case or whether it's more assumptions about what they 'can and can't do' that hold people back.

This need for 'work' ties in with one more similarity between sport and music - the idea of talent. I do think that some people find it 'naturally' easier to do particular activities - that might be because of their natural physical build or because of previous experiences that mean they have strength in particular muscles, or have developed particular parts of the brain. However, talent will only get you so far without willing and work. Someone who really wants to do something, and is prepared to put in the time and effort, is going to get far further than someone who has a physical 'advantage' but doesn't practise. This video from SportScotland (which I've posted before) makes this point really well.

I can really feel the difference in my playing when I'm physically fitter, one of the reasons that the start of this term sees me back at the gym. To read more from some inspiring musicians about their take on flutes and fitness, have a look at Music Strong and the Flying Flutistas!
3 Comments
Katherine link
5/9/2015 09:00:37 am

A great post, and a really interesting area. I've always had a love of reading sports autobiographies and through this started to get really interested in performance psychology from a sports point of view. There are unsurprisingly many, many crossovers with music performance, and yet there doesn't seem to be much written from the musical side.

As you say, the training, the aspect of team work (sometimes appropriate, sometimes not when it's all down to you either to bust out a 100m run or nail a tough solo in a concerto!), the performance under pressure when you've worked on something for a long time with high stakes, I'm amazed the link isn't noticed more.

In my own terms, I know I am always really happy to head out for a 30 min run, but had previously resisted practising for short times even if that's all I have available. Now I know that if i can get myself out of the door for a run, I can absolutely achieve a hell of a lot in 30 mins practice as well!

I'd be really interested to read anything else you find/write on this.

Reply
Rachel link
8/9/2015 08:42:15 pm

Thanks Katherine. Definitely know what you mean about feeling like it's 'not worth' doing short practices - but it really is! Any books (or blogs etc) you've read from a sports point of view that you found particularly applicable to musicians?

Reply
Katherine link
29/9/2015 10:22:35 pm

The game changer for me was Dr Steve Peters' book The Chimp Paradox. He has worked with many a Team GB Olympic athlete, and I was led to the book by Bradley Wiggins' autobiography. There's a lot in there about motivation, goal setting, commitment, fears and insecurities etc and having the right people around you.

Also, The Inner Game of Music was helpful from a performance aspect with lots of ideas, suggestions and exercises to try and help you shut off the sensible analytical and allow the childlike excitement to come back to the fore. A lot like what Dr Steve is talking about with his Chimp analogy in the above mentioned book. The Inner Game series was originally about either tennis or skiing!! But the Music author was moved to try and apply the same principles to his own practice

In my opinion it's a hugely untapped area of music writing.


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